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Monitor Control
ה-Desktop Konnekt 6 שילוב מנצח של ממיר קומפקטי שולחני וסופר איכותי עם יחידת שליטה למוניטורים באולפן. מגיע עם התוכנה Cubase LE4, המכשיר מאפשר הפעלה ועבודה מיידית, הקלטות שירה וכלי נגינה באיכות 24-bit/192 kHz ובקרת אולפן ידידותית למדי. במבט חטוף ניתן לתאר את ה-Desktop Konnekt 6 כליבה אולפנית המציעה את כל מה שנדרש משלב ההקלטה ועד סיום היצירה, כאשר הוא מציע את קדם מגבר המיקרופון הידוע IMPACT™ וכניסות/יציאות להקלטות נקיות של שירה וכלים, את הריוורב M40 Studio Reverb שנשמע מצוין וקל לשימוש ומעולה בעת הקלטת ערוצים (עם מנוע AlgoFlex). במקביל הוא מציעה בקרת מוניטור עם חיווי ברזולוציה גבוהה, כפתור ווליום ארגונומי גדול ומתגים שעושים את העבודה קלה בכל הקשור לשליטת השמעה (קראו עוד על קדם המגבר והפרה-אמפ כאן) המשך במגזין "אקט מוסיקלי".
The Desktop Konnekt 6 audio interface features a selected choice of monitor control right on hand.
Direct monitor MIX Use the direct monitor knob to control the direct monitor level directly from the top panel of Desktop Konnekt. Together with the DIM switch and the MONO switch you have all the monitor functions you need at hand.
Scenes With Scene select you can easy access three independent scenes or "setups". The three default presets are for Microphone and guitar, two guitars/basses, a stereo line signal.
Control panel The control panel gives you full control over your monitor mix, including the M40 Studio Reverb.
Big volume knob The volume control is the knob that you use all the time. Therefore it is great that it sits right where you want it: always within reach. With a volume control independent from the computer - between the computer and the active speakers - you can always turn down the volume, no matter what your computer does.
High resolution meter The high resolution gives you precise information about levels. With clear level indication, you can always monitor the level of the input signal and if you're near clipping. You can also choose to use the meter for mastering purposes.
Reverb for tracking For monitoring convenience, the reverb is available as part of your monitor mix. You can control the reverb level directly from the top panel of Desktop Konnekt, and you can set reverb parameters using the control panel on the computer.
When it comes to quality of the I/O section, Desktop Konnekt has no compromises and mathces its big brothers in the Konnekt range.
Headphones The headphone output has its own powerful amplifier and a separate converter, which makes you able to assign separate mix signal independent from what you hear in your monitor speakers.
Balanced outputs The 2 balanced outputs match any powered or non powered speaker monitors.
IMPACT™ mic pre TC is renowned for its mic preamps, notably ranking among the finest mic preamps on the market. Desktop Konnekt comes with an IMPACT™ preamp, making the recording of a vocal or instrument pure joy.
Hi-Z guitar / line inputs Equipped with the same instrument inputs used in TC’s high-end guitar processors, Desktop Konnekt offers studio quality guitar recordings. These two hi impedance inputs will surely match the quality of your guitar, maintaining the tone and sound on the recording.
Included is the M40 Studio Reverb, a simple to use, great sounding reverb that is powered by AlgoFlex™ - a new high definition TC technology that enables hardware quality and predictability to be ported to native software.
Part of monitor signal path It is available for tracking to increase the recording comfort without tying the effect to the final take, operated by the control panel and the reverb knob on the top panel of Desktop Konnekt.
VST and Audio Units Beside being part of the monitor mix, the M40 Studio Reverb is also available as a natively running VST/AU plug-in, allowing you to use it as part of your recording session in your PC or Mac.
Hall, Room and Plate M40 Studio Reverb features three main reverb algorithms. The Hall algorithm emulates a large hall with a broad and warm reverb.
Room emulates a small and well-furnished room with an intimate ambience and going back in time the Plate reverb algorithm emulates the large metallic plates which were used to create reverbs before digital signal processing was commonplace.